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Variance-Invariance came to me at the time where I was on the way to move out of my home to a new place. Judy Rushin’s work is the last work that will be done at my soon to be past domestic place. Her work is a closure to a place full of memories. Judy sent to me and other protagonists a series of colored panels that you could manipulate, as you would like. After opening the box, I took a deep dive across these colorful striped panels. I arranged the composition, on this raw carpeted floor, around a vertebral column composed of three identical elongated surfaces. From there, three pieces stood up and the other ones were left flat on the floor. Deliberately, the screws, which were usually used to assemble the panels together, are left for this performance untouched.
To know more about Judy Rushin’s works, visit her website: swallowawindchime.comand participate in her project, Variance-Invariance.
flotsamflotsam:

Peter Acheson at Novella 
LINK
maurobonillo:

Visuals for Festival Nrmal Vol.2
alex-paik:

Prelude and Fugue (Stacked Triangles)gouache, colored pencil, paper17 x 6 x 3.5 inches2013
dear-ada:

(via » Tucker Nichols)
wearenapoleon:

works by sol hashemi.
obsessedbythegrid:

Carl Andre, Drawing for ‘The Perfect Painting’, 1967
designcollector:

B L O O D A N D C H A M P A G N E . C O M: » 247 : http://dcult.net/HJFvma
paddle8:

Ivan Chermayeff, Geisha in Amsterdam, 1991
One of the masterminds behind the NBC and MoMA logos, Chermayeff’s graphics are the things of legends. Bid on works by this artist to benefit The Museum of American Illustration at the Society of Illustrators.
wudoweard:

Stefan Brüggemann: This Work is Realized When It Is Destroyed, 2013, vinyl text on wall
artslant:

“I like looking and describing, using images to explore the process of making.”
Vija Celmins, whose Untitled (Ocean) is featured in tomorrow’s Post-War+Contemporary Day sale at Christie’s.
nicoonmars:

Raul Mourão
hragv:

So psyched that @rubin415 is doing a mural in our building lobby.  (at Hyperallergic HQ)